Content And Shape in the Artistic Work of Tiberius Adet
For Tiberius Adet, the theme is a pretext rather than an iconographic stake. Thus, his paintings swing between figurative and a certain type of abstract, in the sense that various recognizable forms, often geometric, are chromatically derived, becoming metaphorically speaking, windows to possible (other) non-objective artworks. The artist ingeniously treats various concrete areas as textures. I draw attention to the relations between part and whole, whether we are dealing with refined graphic details or intrusive interventions (floating layers applied later in compositions, which change their dynamics).