Cristian Diţoiu’s new exhibition can be defined rather by what it is not, than by what each commentator, even relatively informed, assumes to be. At a purely descriptive level, we are dealing with colored squares, arranged on various backgrounds, in turn, rectangular in shape. The golden ratio, constant in the artist’s algorithm, a morphological system that is both non-random and post-minimalist, is not a real stake of the works, as are the chromatic values and the tonal relations between them.
